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Documentary award winner Clare Richards: We're all just human beingsClare Richards won the prestigious Grierson documentary award for her directorial debut, Disabled and Looking for Love, on Friday 14 November. Eve... Read more |
Thich Nhat Hanh: the Buddha biopic and the road to peaceIt was announced at Cannes this year that Vietnamese zen monk Thich Naht Hanh's biography of the Buddha, Old Path White Clouds, would form th... Read more |
JOHN TURTURRO - Unleashing Kate WinsletThe first person I asked to play Tula was Kate [Winslet], and the reason was I saw her in Holy Smoke and I thought she was very uninhibited, and I w... Read more |
John Howard: The Key to Self PublishingAfter 30 standard rejection letters from agents and publishers to his 'Da Vinci code for kids' book The Key to Chintak, author John Howard ... Read more |
Simon Pegg - How to Lose Friends and Alientate PeopleFresh back from a whistle top promotional tour where he faced a grilling by hundreds of journalists, Simon Pegg stepped straight into his latest role ... Read more |
ILLUSTRATOR DAVID LLOYD - Creating anarchy in the UKWhen we originally wrote V for Vendetta it was 1980-81, and Margaret Thatcher came to power in 1979. She had only just started and the full weight of ... Read more |
Simon Rumley: Living with 'The Living and The Dead'Simon Rumley is one of those UK filmmakers whose work never seems to get the recognition it deserved. His debut feature – the brilliantly crafted faux... Read more |
David Thompson reunites DiCaprio, Winslett and MendesThe news that Kate Winslett and Leonardo DiCaprio are to reunite for the first time since Titanic, in a feature directed by hubby Sam Mandes, is a... Read more |
BAFTA Award Winner NIGHT PEOPLE Out in UK CinemasThe BAFTA Scotland audience award winning debut feature Night People is out on limited release in UK cinemas from early November. Thi... Read more |
Franny Armstrong - Determination amidst a rising sea of stupidityAs the Age of Stupid opens with a record-breaking simultaneous world premiere to a potential million viewers across 550 screens in over 60 countries... Read more |
DARK NIGHT: INTERVIEW WITH THE DIRECTORDaniel Grant, a fourth-year archaeology student at University College London, has just seen the premiere of his first feature film, Dark Night, ... Read more |
Ben Hopkins: Drugs and surealism in the Nine Lives of Tomas KatzBen Hopkins is the sort of person you invite to your grande bouffe at News Years, when you've reserved places for one too many happy couples. ... Read more |
NOBEL PRIZE WINNER IMRE KERTESZ - FatelessThere are some people who suffer from this "[Auschwitz] disease" for life, simply because of the experience they have gone through. Anothe... Read more |
BEN COCCIO - Confronting Columbine in Zero Day"Zero Day could never have been made in Hollywood. Elephant [Gus Van Sant‘s Columbine-inspired film], I don't think, could e... Read more |
London Film Festival: Paul Greengrass receives Variety awardLast night saw director Paul Greengrass receive The Variety UK Achievement in Film Award at an event held in conjunction with the London Film Festi... Read more |
Jim Gilliam: building a people-powered movie distributor and financier with Robert Greenwald
If you can't raise finance for your feature, and cinema chains don't want to touch your film, what can you do? Until recently that could have meant the end of the project, but the web offers some interesting ways of changing this.
"This was not like putting a blog post up and all of a sudden everybody comes and knocks our door down. We'd carefully cultivated an audience and put a lot of effort into the technology to pull them all together so that we could email them all at the same time."
Jim Gilliam, producer of Brave New Films, was unable to raise funding for Robert Greenwald's latest project. So he sent few emails to everyone who had previously bought a DVD from the company. Within 10 days, they had raised $220,000. And when it came to distribution, a network of activists and documentary fans have been mobilised around the Brave New Theaters website to organise their own mini and local screenings. The site, now open for any filmmaker looking to (or needing to) bypass traditional exhibition and connect with fans, allows people to communicate without any distribution or exhibition chain at all.
Iraq for Sale: The War Profiteers, directed by Robert Greenwald, is the most prominent feature film yet to successfully 'crowd-source' the finance of film, in a piece which explores the area of private contractors and mercenaries in Iraq. Gilliam has been working with Greenwald ever since - after 9/11 - he rethought his life and left a high-paid executive career on the web to work on stuff he believed in.
Through documentaries such as Outfoxed, Rupert Murdoch's War on Journalism, Uncovered, Wall Mart and Iraq for Sale - Greenwald, with Gilliam as producer - has kept the spotlight on modern America. Through Brave New Theaters, and the groudnbreaking financing of Iraq for Sale, Gilliam is rewriting the rules of the industry, breaking down the traditional barriers between filmmaker and audience.
When I interviewed him last winter, Jim was awaiting a lung transplant and - despite being bed-ridden and struggling to speak clearly - showed remarkable energy, drive and optimism. The transplant took place earlier this year, and thankfully was a complete success. Like speaking with Mohammed Al Daradji, who risked personal safety to get his Iraq film Ahlaam completed, I was left humbled and inspired after the interview - and I hope you do too.

To win one major Cannes award is fortunate. To win
two, is just plain careless. The suprise double win for Ken Loach's The
Wind that Blows the Barley and Andrea Arnold's Red Road at Cannes on
Sunday night, is a stunning endorsement of Paul Trijbits' reign at the New Cinema Fund as the UK Film Council