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by james macgregor | 30th March, 2001 | contact: james@netribution.co.uk

Early Film Hoard Unearthered in Blackburn

A remarkable hoard of film from the earliest days of motion pictures has been unearthed in Blackburn and is likely to have a sensational impact on the history of British cinema.

Film historians believe something like 90% of early film was lost as it was shot on nitrate-based stock which combusted spontaneously with age, as depicted in the disastrous fire sequence in Cinema Paradiso.

A chance discovery has now unearthed a total of 780 of these early films on nitrate negative stock. This is the biggest find of early film for years and the survival of so much fragile stock from the 1890’s and early 1900’s is nothing short of miraculous.

The films were made by Blackburn pioneer cinephotographers Sagar Mitchell and James Kenyon, pioneers in film in the early part of the last century, who advertised themselves as making "local films for local people".

Their work was mainly non-fiction and has a wide spread, having been filmed across northern England, Scotland, Wales and Ireland. The films are essentially a social record of scenes of life before the First World War in Victorian and early Edwardian Britain. They include fascinating scenes in well-known cities captured before bombs and high-rise developments changed them forever.

The Mitchell and Kenyon partnership was dissolved in 1922 since when their former premises has changed hands three times. When the last owners moved out some mysterious barrels were found. They were give to a Blackburn historian, Peter Worden, who had known Mitchell in his early childhood and shared his enthusiasm for film.

Worden carefull opened the barrels to discover hundreds of film negatives, sealed there in 1922. Their dark, airtight repository had made sure they were unusually well preserved.

The significance of the find was realised immediately and the collection is now under the wind of the British Film Institute. The Peter Worden Collection Of Mitchell And Kenyon Films is now being catalogues and preserved, a job likely to take about four years, after which a national tour is planned along with book and video publication, to make the films available to the public once more.

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