Glasgow
gets star billing in the latest feature production
from David
Baker, who Netribution readers met recently
in our
feature about Pasty Faces, his first
film, shot in LA and Las Vegas.
Baker
is staying this side of the pond for his next
feature, Artful Dodgers, a modern-day
movie version of Oliver Twist. It will
be shot entirely on location in Glasgow.
Written
and directed by Baker, from Paisley, the film
- a big budget crime thriller with a real twist
at the end - is being financed by Angad Paul,
the steel millionaire behind Lock Stock and
Two Smoking Barrels, and Snatch.
"The
film will show a glitzy, glamourised Glasgow.
It is a deliberate ploy on my part to make it
a universal city to chime in with the film's
universal themes," Baker said. "There will be
no greenery, no Highlands, because that's what
you always get when a film is shot in Scotland."
Baker,
35, whose first film, Pasty Faces, gets
its UK release next month, is looking at a number
of big names such as Gary Oldman and Hugh Grant
to play alongside his big star, Glasgow.
While
the artful dodger of Dickens operated on the
frayed fringes of society, Baker's artful dodgers
infiltrate high society in what he describes
as a "white- collar crime thriller".
The
artful dodgers are recruited by George, a twenty-first-century
Glaswegian Fagin, a part Baker thinks would
be perfect for Hugh Grant. "He has that respectable
front such as he showed in Bridget Jones
but with an underlining grittiness."
He
added: "George is very slick, like Frank Sinatra,
as he is the leader of the pack. He has a team
of six criminals and teachers who recruit young
guys on the street, guys in shell-suits you
know a mile away are going to commit a crime.
"They
are taught to walk properly, to talk properly,
to dress well so that they can infiltrate high
society. They don't carry weapons. People with
suits and accents don't need them. People with
white-collar respectability can sometimes be
far more dangerous than smash and grab neds."
Eventually,
the dodgers force George into a corner. They
want to do one big job so they can go into business
legitimately. Baker said: "The big job is a
big bank in Glasgow. It comes to the point where
they have to pull off the biggest con of their
lives to save their lives."
Baker,
however, intends that the city will emerge as
one of the film's biggest talking points. "I
want to make Glasgow look like a mini New York.
It's a side of the city you won't have seen
before.
"I
want to make it look good for a change rather
than rubbing filmgoers' faces in the gutter.
I want to spread the gospel according to Glasgow
and show we can make movies here. Hopefully,
people will leave the cinema saying I didn't
know Glasgow looked like that."
Baker
has already convinced Angad Paul that he has
the talent to match the vision.
Baker
said: "Angad has got a few associates together
and a few million is in place for the budget.
If Pasty Faces does well the budget will
get bigger.
"He
thinks I can make films that will entertain
people. That's the whole idea - to entertain,
just like Robbie Williams."
Pasty
Faces will have its premiere in Glasgow
before going out on general UK release. Angad
Paul has also set up a screening in New York
for US distributors.
"Oprah
Winfrey has also been on our website a few times
and is interested in the film so this is one
of the selling points we'll be using," said
Baker.
Pasty
Faces, which began life as a play, Freedom
with a 45, at Paisley Arts Centre, follows
the fortunes of a gang of unemployed Scots actors
who cross the Atlantic to find a job but end
up doing one - a $10m raid on Caesar's Palace
in Las Vegas.
Baker
said: "The humour of Pasty Faces gave
Angad Paul the same feeling as Lock Stock
and Two Smoking Barrels. This is the third
film he has backed and he is really passionate
about it."