Treasurer
of the Edinburgh Film & Video Access Centre,ë
Pete Gregson, has called for better public access
to filmmaking in Scotland.
His
plea comes in the wake of a sustained attack
on Scottish Screen by The Scotsman newspaper,
which has levelled accusations of cronyism at
the screen agency, funded by the Scottish Parliament
to help develop screen industries in Scotland.
Gregson
suggests entry level talent is being denied
access to develop under present arrangements.
He says agencies like his own operate on shoe
string budgets but give great value for money.
Projects they assist lever in much larger amounts
of funding. Filmmakers hone their skills with
low-budget projects supported by agencies like
Edinburgh"s FVA.
ëIn
a letter to The Scotsman newspaper Gregson calls
for a fresh look at what such agencies can offer
the industry””””..
Value
of public access centres to film industry
Letter from Pete Gregson”
Your
editorial (14 June) outlines six ways of boosting
Scottish film-making, but has missed out the
seventh and most important one: funding public
access media centres and workshops.
Each big city in Scotland boasts
such resource centres which struggle by on tiny
local authority grants ( the Film & Video
Access Centre in Edinburgh gets just £6,020
a year). On the back of these, the projects
lever in huge amounts of Lottery and earned
income (FVA turn-over is £80,000 a year). In
return, they provide a fantastic public service
in developing talent.
Recently, the List magazine
published Scotland"s top 40 new film-makers
to look out for. Half of these had trained or
used FVA resources to make their way into the
industry. Indeed, FVA supports 460 film and
video-makers each year, with training and access
to everything from beginners to broadcast equipment.
Rates are incredibly cheap
for those on a low wage, acknowledging that
those starting out are supporting their interest
through part-time work in other jobs. Productions
have won over 50 awards (including BAFTAs).
Over 150 ex-users now work in the industry,
or have gone on to training such as the National
Film and TV School. All say they could not have
done it without the FVA"s help.
What you and Scottish Screen
seem not to acknowledge is that film-makers
need access to training resources - not just
for a year or two at film school, but for the
years before and after college that it usually
takes to develop their craft.
But for 20 years now Scottish
Screen (and its predecessor, the Film Council)
has been deaf to our pleas for support. In desperation,
20 Scottish groups have come together to form
the Scottish Community Video Lobby to campaign
for change.
Scottish Screen has now agreed
to put forward a proposal for increased funding
next year. However, if the Scottish executive
fails to cough up the extra cash, I fear Scottish
Screen will forget about us. This is at its
peril - it really has no idea how much better
the Scottish film industry could be with just
a modest amount of support to local agencies
supporting emerging talent.
PETE GREGSON
Treasurer, FVA
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