It’s the time again to move your eyes away from the screen and let them drift over to the printed word. In Page To Screen # 3, those books that are influenced by – and, indeed, influence - the worlds of film and television are brought to the fore as Laurence Boyce examines how someone is making a monkey out of biographies, someone else is making us nostalgic for classic Saturda…

  There are plenty of surprises cooking up in the Shah family's Indian restaurant in Pratibha Parmar's debut feature, Nina's Heavenly Delights. Described by one of the cast as "My Beautiful Restaurant," the film's director acknowledges that ground- breaking launderette drama's influence upon her colourful and amusing romp across some of the boundaries that c…

Since fully entering the London rat race I have come across a number of 30-somethings that appear to feel rather bitter about being around 20-somethings, much to the bewilderment of the latter.  It is these people that will perhaps scoff at the idea that there is a big leap between being 21 and 24, crying that it is all within the same degree of naivety, but I can vouch for this leap when…

As the credits rolled, the audience sat in stunned silence as if they had lost the ability to speak or move. I felt as if I had been punched in my solar plexus, such was the impact of Marc Rothemund's chronicle of courage and quiet heroism, Sophie Scholl, The Final Days. For two hours we had followed a few days in the life of a young German student  who, in 1943,  distribu…

Wow. When Mike Leigh goes comic, he really goes for it. Happy-Go-Lucky , the tale of Poppy, a North London primary school teacher with a very un-London persistently sunny nature and a whole host of whacky quips, gets driving lessons and talks too much. That's the film. The latest Mike Leigh film. No, really.             Here's th…

 There's a real air of independence with Special Edition # 17 as there’s no Hollywood blockbusters in sight. Instead there are movies from across the world, which show the real diversity of things available to movie goers nowadays. Whether it’s French horror, some classic documentaries or a curious Sci-Fi film then Laurence Boyce is here to show you can find just abo…

My very first encounter with a full feature film budget was quite terrifying, simply on grounds of complexity and sheer weight and volume of paper.  There were lots of  “line items” all number coded, running down the left margin. Thousands of them. The bundled pages would pass muster for a telephone directory. I felt the urge to run, but I swallowed, stayed and sent for a bo…

Thanks to the perils of blown up computers and various other technological problems, Special Edition # 4 has been a long time coming. But never fear as Laurence Boyce had managed to move heaven and earth (and, more importantly, has managed to install a new version of Windows XP) to bring a bumper crop of all the DVD’s that are fit to watch when the bright sunshine starts to get a l…

If you’re a fan of Blade Runner – and there are many – you may be happy that there’s a new book exploring the classic film. However, if terms such as ‘Intertextuality’, ‘Liminal Space’ and ‘Cyberethnography’ are liable to give you a sudden headache then maybe you’d better check out Laurence Boyce’s review of The Blade Runner…

This book’s subtitle is The Power of Color in Visual Storytellling, but it’s also something of a tribute to the power of a good title. I would defy anyone to spot this in a bookshop and not have their curiosity aroused. Publisher: Focal Press ISBN: 0-240-80688-3 Published date: Current Country of origin: US Subject area: Colour in Film Design price: £24.99 Personally, I’ve know all about the i…

I marched thru the night, looking up to the snow kissed trees, and arrived too late for Cloud Atlas. Half an hour later a film I didn’t know, beyond reading that it was about a student dropout in Berlin, and was Black and White. I dashed back across the road for a thai curry, laden with mushrooms, which I left. I returned in time to get a seat and a small bag of popcorn, hoping this would not be…

Those who know the work of illustrator Dave Shrigley will understand how easy it is to fall into cliché when describing his work. Words such as ‘twisted’, ‘dark’ and ‘disturbing’ seem inadequate to express his truly warped view of the world and the people who inhabit it. Now, with the aid of Chris Shepherd who directed the wonderful short film Dad’…

It’s ironic that, in an age when film moves forwards in leaps and bounds in terms of technology and innovation, it takes an almost obsolete format to encourage some of the of the most original, inventive and enjoyable filmmakers around. The idea of Straight 8 is deceptively simple: filmmakers get an 8mm cartridge of film sent to them and then have to make a three minute film shooting i…

Grassroots and No are both political films based on real events that concentrate on the competition: to win a local election in the former film, and to win a regime-changing plebiscite in the latter. The fact that No succeeds as an engaging film to such a greater extent than Grassroots shows that political races on film need to be contested by sharply-out…

The interiors of this latest adaptation of John Le Carré's 1973-set novel look and feel like just like the those of the BBC's recent drama series, The Hour, set in their 1956 newsroom. Even the plots are alike - there's a Russian spy in our very English midst, which one is he (it's never gonna be a she)? The main clues as to which era we're in are found outside - the odd black or Asian person…

It’s a British Summer, which means two things: football and Big Brother on a never ending loop. So, unless you’re a football fan or enjoy watching freak shows, then there’s not much to watch at this moment in time. So in Special Edition # 5 let Laurence Boyce point you in the right direction of some of the very best DVD’s available to buy, rent or borrow at the moment. W…

From the striking opening credits, with a boy throwing eggs at the screen, you know that Mischief Night is going to live up to its name. It is both an irreverent look at life in a Leeds suburb, as well as an exploration of the effects of increased ethnic segregation. The setting of Beeston, Leeds – home of three of the July 7th bombers – also provided the backdrop to Penny…

It's holiday time and Special Edition has been away and topping up it's tan. Now it's come back, got its holiday photos developed and returned to a darkened room to watch the very best DVD's that have been released recently. So if the oppressive heat is making life outside uncomfortable, switch on the air conditioning and let Special Edition # 7 tell you what to pop in you DVD pla…

  Britain's latest and remotest filmfest in the Shetland Islands got off to a great start with a screening of BBC 4's drama Reichenbach Falls, a fast-moving drama made by a BBC Scotland team. The TV programme clearly proved that low budget does not exclude high production values - something known to indie filmmakers for a long time - but clearly the message is now getting through to TV d…

Everyone who says that there are no decent films being made in the UK are dead wrong. There are plenty of decent movies made in the UK. It's just that no-one really gets the chance to see them. With UK distributors consistently playing it safe, there's a raft of excellent stuff that - apart from an occasional screening at a film festival - that's gathering dust on a shelf. But t…

We’ve just passed Halloween which means that it’s horror movie a-go-go as we have more remakes of classic scary movies (which, alongside the fact that Scream 4 has been announced, seems to indicate that the horror genre has run out of ideas entirely) and one film that is so disgusting that I think that I may not be able to eat for quite a while. Still, nothing’s as scary as George Osbourne. Speci…

After a few columns in which Hollywood has been heavily featured, Special Edition # 39 focuses upon some great cinema from across the world (though with one or two releases from the US studios). Laurence Boyce will check out new releases and classics from Mexico, Czechoslovakia, Russia and Sweden whilst also dwelling upon remakes of classic TV shows and the usual mention of Doctor Who. For thos…

The London Film Festival opens tonight with a screening of Never Let Me Go, an adaptation of the 2005 Kazuo Ishiguro novel, starring Carey Mulligan, Keira Knightley and Andrew Garfield. The screenplay was written by Alex Garland, and the movie directed by Mark (One Hour Photo) Romanek. The story takes place in an alternate England, where medical research has solved most illnesses, and the averag…

Cocaine Cowboys is a documentary looking at the rise of drug gangs in 1980s Florida. It was released in UK cinemas on 23rd November, so should be on near you. For those unfamilar with the events of the period, the documentary tracks the transformation of Miami from sleepy retirement village to a place made rich through drugs and violent killings. Read on for the trailer, which is fa…

What is the difference between torture and punishment? According to Ridley Scott’s latest thriller, which casts a harshly critical eye on the spy game, it is simply the fact that one is efficient and the other is not. Set against the backdrop of the infamous “war on terror”, Body of Lies centres on the hardships of a CIA agent who heads to Jordan to track down a high-ranking…