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Now available to buy on DVD, September remains one of the most affecting and beautiful British short films of the past few years. The film beat off stiff competition from the likes Sam Taylor Wood’s passionate and impressive Love You More to walk away with the 2009 BAFTA Award for Best Short Film (Live Action) to add to its numerous other awards and accolades.
The film tells the story of Marvin…
Rather
than being "a bold new call for peace," the first Palestinian film to
be Oscar-nominated is an emotional look at what could possibly
drive someone to become a suicide bomber.
Paradise Now, like United 93, is a film that relies upon
the audience's prior knowledge of world events for context. This device
means that both films escape charges of didacticism, preferring…
How did we cope before the advent of DVD’s? Rewinding a video tape took ages, the quality was something less to be desired and there was a nary a special feature in sight. How our film loving predecessor’s must have suffered in that primitive world - well, unless they had loads of money and bought a Laserdisc. Thankfully, we’re now knee deep in DVDs and Special Edition # 28 is…
Starsuckers is the second feature-length documentary from writer/director Chris Atkins, who made the BAFTA-nominated Taking Liberties in 2007. The film takes an in-depth look into celebrity culture - and sleb journalism - and the results are both laugh-out-loud funny and worrying.
The issue of made-up stories making their way into showbiz gossip columns was discussed by George Clooney and…
The Sixth of May , directed by the late Dutch director Theo Van Gogh , is a thriller that re-enacts the murder of right wing Dutch politician, Pim Fortuyn, on 6th May 2002. The slick movie has a Hollywood feel to it, but might prove impenetrable without a little Wikipediaing of the facts (at least), unless you're clued up on your Dutch politics.
Van Go…
Television interviews for set-piece programmes somehow always get everything just right; the framing of the subject on screen, the facial modelling that gives definition to the features without making the face into something more like a silhouette. In the best interview examples, the lighting camera operator’s skill appears to put an apparently 3-D image on to a 2-D television screen – and in HD…
This book’s subtitle is The Power of Color in Visual Storytellling, but it’s also something of a tribute to the power of a good title. I would defy anyone to spot this in a bookshop and not have their curiosity aroused.
Publisher: Focal Press
ISBN: 0-240-80688-3
Published date: Current
Country of origin: US
Subject area: Colour in Film Design
price: £24.99
Personally, I’ve know all about the i…
It’s heartening to know that there is still life in the British film industry yet as Special Edition # 43 opens with an exciting example of some of the talent that this country has to offer. With the imminent closure of the UK Film Council and worries about arts cuts it’s films such as Skeletons that sure us that UK talent need to be nurtured and supported. And, as always, Laurence Boyce also wad…
"I'd like to finish with a word of warning. You may have started something. The British are coming." If that statement, made by Colin Welland during his 1981 Oscar acceptance speech for Chariots Of Fire, is true then the British have been taking their bloody time. More than 25 years on, it's only now that British cinema seems to be at the beginnings of resurgence that could pu…
Britain's latest and remotest filmfest in the Shetland Islands got off to a great start with a screening of BBC 4's drama Reichenbach Falls, a fast-moving drama made by a BBC Scotland team. The TV programme clearly proved that low budget does not exclude high production values - something known to indie filmmakers for a long time - but clearly the message is now getting through to TV d…
Artist/director Steve McQueen's second feature (following 2008's Hunger), follows the unravelling New York existence of sex addict Brandon (Michael Fassbender). Living alone, he (seemingly) happily picks up girls in bars, orders prostitutes like takeout and masturbates in the work loos after watching porn on his computer. It's a tad compulsive, but his outward charm and ability to just about ho…
My very first encounter with a full feature film budget was quite terrifying, simply on grounds of complexity and sheer weight and volume of paper. There were lots of “line items” all number coded, running down the left margin. Thousands of them. The bundled pages would pass muster for a telephone directory. I felt the urge to run, but I swallowed, stayed and sent for a bo…
Last night I rewatched Tarsem's, The Fall. I first saw it at Edinburgh Film Festival in 2008 amidst a dreamy stream of great films. Starting with a bong toking Ben Kingsley going through a breakup in The Wackness, to a man named Nick discovering the delights of Swedish spiritualism through the painfully funny Three Miles North of Molkom, onto Wayne Wang's 1000 years of Good Prayers, taking its ti…
It seems that everyone has buggered off on holiday - especially those who release DVD's. So whilst Special Edition # 8 is a little bit shorter there are still some little gems to be found for your delight and delectation. It also allows Laurence Boyce to nip away from the computer and TV screen for a while for a spot of sunbathing. And, after turning pasty white sitting in the dark and watchi…
Stranded on that no-man's land between graduation and a media career?
So was Engish Television and Film graduate Sabrina Ferro, but no more.
Instead she's launched a high quality glossy mag aimed at people like herself and at those on the lookout for rising talent. Media Directions, as the director's chair on the front cover exclaims, is dedicated to showcasing…
Warning: spoilers (as far as I can spoil the plot of a very famous 8-year-old book for you)
Ah. "We need to talk about Kevin." The words that the eponymous Kevin (Ezra Miller/Jasper Newell/ Rocky Duer)'s mother Eva (Tilda Swinton) never manages to say to her sweet, blinkered husband Franklin (John C Reilly).
Lynne Ramsay's fine adaptation of the very unloveable 2003 novel dispenses with the e…
There are lots of things that people can do at the same time. There’s rubbing your tummy whilst patting your head, watching telly whilst doing the ironing and reading whilst in the bath. But one thing you can’t do is run a Film Festival whilst trying to write a DVD column. As such, Laurence Boyce has been away for a while. But like a phoenix from the flames Special Edition # 23 has…
It seems that DVD companies have decided to educate us in cinema history as they’ve gone ‘auteur crazy’ with a number of box sets and new releases containing the greatest work of some of the most famous and influential directors of the past hundred years. So if your DVD collection is mostly populated by the films of Steve Guttenberg and Pauly Shore, then you&rsq…
It’s the time again to move your eyes away from the screen and let them
drift over to the printed word. In Page To Screen # 3, those books that
are influenced by – and, indeed, influence - the worlds of film and
television are brought to the fore as Laurence Boyce examines how
someone is making a monkey out of biographies, someone else is making
us nostalgic for classic Saturda…
Paul Taylor takes a tragic story and makes an up-lifting, life-affirming, non-preachy film.
We Are Together (Thina Simunye) has as its backdrop one of the most urgent (and
shameful) issues of our time: the spread of HIV, Africa's 1.2 million
AIDS orphans and the lack of access to life-saving anti-retroviral
(ARV) drugs. That less than 17% of HIV sufferers have access to the
drugs in a…
When David Lynch calls a film "simultaneously horrific, erotic and funny," and master surrealist Luis Buñuel says that it is "exceptional," you know it's probably not an easy watch. Martin Scorcese, Francis Ford Coppola, along with Grateful Dead guitarist Jerry Garcia, helped to finance a new print of the film, that's how much they love it.
First released in De…
A Holy Grail quest
that recalls the Indiana Jones trilogy - but without the humour, or Harrison
Ford...
If you're reading this, you're probably the last person left
in Britain who hasn't seen this much-anticipated adaptation
of Dan Brown's Church-offending 2003 novel. Despite the furore over the book's subject matter,
however, the film itself is often too ful…
Is the end of February already. It only feels like five minutes ago when the tinsel was all around and the Xmas decorations were up. Actually, it was, but that’s because Laurence Boyce has been dead busy watching a new batch of DVDs for you to all enjoy. Let Special Edition # 37 take you on its usual journey through some of the best shiny discs for you to enjoy from brand new feature films to the…
Welcome to Page to Screen # 1, Laurence Boyce’s newest column that takes a look at some of the best books related to cinema, TV and anything else that fits into our broad remit. From serious academic tomes to graphic novels, weighty reference material to film tie-ins there’ll be something here for everyone to feast your eyes on when not actually in the cinema.
The honour of th…
There are plenty of surprises cooking up in the Shah family's Indian restaurant in Pratibha Parmar's debut feature, Nina's Heavenly Delights. Described by one of the cast as "My Beautiful Restaurant," the film's director acknowledges that ground- breaking launderette drama's influence upon her colourful and amusing romp across some of the boundaries that c…