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In this fine appraisal of his oeuvre, Heylin looks at the director's failure to capitalise on the promise of Citizen Kane.
In this fine appraisal of his oeuvre, Heylin looks at the director's failure to capitalise on the promise of Citizen Kane. Welles' own uncompromising attitude didn't help his later projects, such as The Magnificent Ambersons and A Touch of Evil, but neith…
Shane Meadows
has been awarded almost iconic status as one of the pioneers of low
budget filmmaking in Britain, which he certainly is, but some people
find his work on screen doesn't always reach – on the audience
satisfaction scale - the parts others claim it does reach. This week
his latest opus Dead Man's Shoes opens Stateside in Greenwich Village, the heartland of New Yor…
It’s
starting to become an interesting time to be a DVD fan. With an
increasing number of movies being released on the format for a second
time (watch out in the next column for a review of the upcoming
‘Definitive Edition’ of Fight Club which might gall the thousands who
bought the already extra laden DVD only a – comparatively - scant few
years ago) and talk of B…
With the rise of so-called 'user generated content', a strange phrase that conjours up images of cinemagoers as drug users, and 'professional filmmakers' as dealers who would never use their own supply, it's inevitable that the film industry would have something to say on the matter. And as with buses and most films from those dealing with the massive (Armagedon, Deep Impact) to the micro…
This review is going to be full of spoilers; if you don't want to know, best look away now.
So, for the remaining reader: The Reader hinges on the power of writing, and the flexibility of the truth.
It can make or break lives. Reading aloud draws two people into a
decades-long relationship; the shame of illiteracy leads to a terrible
crime and a life of penance; a Holocaust…
Everyone
who says that there are no decent films being made in the UK are dead
wrong. There are plenty of decent movies made in the UK. It's just that
no-one really gets the chance to see them. With UK distributors
consistently playing it safe, there's a raft of excellent stuff that -
apart from an occasional screening at a film festival - that's
gathering dust on a shelf. But t…
This is a pocket book in three acts; Inspiration, Preparation and Delivery. Simple as that. But as we should know by now, making a pitch can never be as simple as it seems, even when it has been reduced to three acts. Help is at hand though, in this little book, a distillation of pitching wisdom from producer Eileen Quinn, filtered and polished through one of her faithful disciples, pr…
HandsOnHDV: "A Complete Guide to the Z1U & FX1 Camcorders" was shot entirely in HDV with Z1 and FX1 camcorders, edited with FCP, and output in 16x9 SD for the DVD. Throughout the video, a variety of video shooting modes are demonstrated and explained, including Cineframe 24, CinemaTone, and customized Picture Profiles.
This is not a bench-top demonstration or in-studio camera…
This book’s subtitle is The Power of Color in Visual Storytellling, but it’s also something of a tribute to the power of a good title. I would defy anyone to spot this in a bookshop and not have their curiosity aroused.
Publisher: Focal Press
ISBN: 0-240-80688-3
Published date: Current
Country of origin: US
Subject area: Colour in Film Design
price: £24.99
Personally, I’ve know all about the i…
There are plenty of surprises cooking up in the Shah family's Indian restaurant in Pratibha Parmar's debut feature, Nina's Heavenly Delights. Described by one of the cast as "My Beautiful Restaurant," the film's director acknowledges that ground- breaking launderette drama's influence upon her colourful and amusing romp across some of the boundaries that c…
Tim Burton has always had something of a schizophrenic career. On one hand he’s the eccentric visionary who works on the fringes of Hollywood with such films as the fabulous Edward Scissorhands and the commercially unsuccessful yet brilliantly twisted Mars Attacks. On the other hand he’s at the heart of the Hollywood machine, helming the merchandise monster that was Batman and th…
Ahead of the London Film Festival's opening night tomorrow, here's a round-up of some highlights from Suchandrika Chakrabarti.
The LFF's press screenings begin before the festival begins, and carry on during it, with the previews of the big gala films, like the opening night's Fantastic Mr Fox (gosh, they do love a bit of Wes Anderson) and the George Clooney-starring The Men Who Stare at Goats…
Films based on a comic book will always attract two forms of criticism. Firstly there’ll be those who judge the inherent quality of the film. Then there’ll be those who’ll judge the film and its fidelity to the original source material. For a perfect of example of this then you need look no further than V For Vendetta. Alan Moore and David Lloyd’s original graphic novel h…
Back in March during the battle between The Hurt Locker and Avatar at the Oscars, much-loved political theorist Zizek waded in with a comparative review of the politics of the two films. His conclusion was that James Cameron's film had been the best attack on the military-industrial complex and US corporate hegemony. Kathryn Bigelow, on the other hand, he argued, legitimised the Iraqi invasion…
It’s heartening to know that there is still life in the British film industry yet as Special Edition # 43 opens with an exciting example of some of the talent that this country has to offer. With the imminent closure of the UK Film Council and worries about arts cuts it’s films such as Skeletons that sure us that UK talent need to be nurtured and supported. And, as always, Laurence Boyce also wad…
There were no accidents. Nothing blew up. So, unless I spontaneously combust in the middle of writing this column, then it seems we can go ahead with Special Edition # 25. Yay. And, yes, we’re on number 25. Laurence Boyce would have got some mugs specially produced but who needs merchandise when – as always – there are a multitude of delightful DVDs for your perusal. Thi…
There's a rather funny viral doing the rounds by UK blog the Shiznit about what if the 2015 Oscar nominations told the truth, following similar posts they've done in previous years. I didn't feel like sharing it however because their poster for Selma ('Challenging Race Biopic: if you don't like it then you basially hate black people') troubled me somewhat. I had to see it to be sure - and no long…
This documentary, made by renowned [some might say notorious] left-wing journalist John Pilger, is out on DVD on 4th February. The film uses the USA's treatment of Latin America over the second half of the 20th century as evidence that the US is fighting a war against democracy in the region known as "America's backyard." His film shows us the flipside of Bush's "War on Terror,&q…
There are lots of things that people can do at the same time. There’s rubbing your tummy whilst patting your head, watching telly whilst doing the ironing and reading whilst in the bath. But one thing you can’t do is run a Film Festival whilst trying to write a DVD column. As such, Laurence Boyce has been away for a while. But like a phoenix from the flames Special Edition # 23 has…
Come on the long days! Laurence Boyce has been stuck in front of a computer for the past few weeks, watching many, many films and currently needs a tanning machine to ensure his skin resembles the colour of porridge. Thankfully, the stuff that he’s been watching for Special Edition # 38 means that Laurence Boyce has at least got to enjoy some really good films and TV shows. But, for the love of h…
"I'd like to finish with a word of warning. You may have started something. The British are coming." If that statement, made by Colin Welland during his 1981 Oscar acceptance speech for Chariots Of Fire, is true then the British have been taking their bloody time. More than 25 years on, it's only now that British cinema seems to be at the beginnings of resurgence that could pu…
I marched thru the night, looking up to the snow kissed trees, and arrived too late for Cloud Atlas. Half an hour later a film I didn’t know, beyond reading that it was about a student dropout in Berlin, and was Black and White. I dashed back across the road for a thai curry, laden with mushrooms, which I left. I returned in time to get a seat and a small bag of popcorn, hoping this would not be…
It's holiday time and Special Edition has been away and topping up it's tan. Now it's come back, got its holiday photos developed and returned to a darkened room to watch the very best DVD's that have been released recently. So if the oppressive heat is making life outside uncomfortable, switch on the air conditioning and let Special Edition # 7 tell you what to pop in you DVD pla…
Profoundly humane and stunningly aesthetical, Waltz with Bashir is not about dancing…not even around the bullets of one’s enemies as does an Israeli soldier in the eponymous scene. Through the personal lens of his experience as a soldier during the Sabra and Chatila massacres of the 1982 Lebanese war, Israeli director Ari Folman tells the universal story of young men and the harrow…
A bit of a British bonanza this time as Special Edition # 32 brings a pair of UK films which delve into two of British people’s favourite subjects: politics and football. It’s a shame The Age Of Stupid isn’t out until October, otherwise we’d also have the weather. Laurence Boyce also looks at the usual mixture of classic films (including one of the best –…