A strong, well-made drama that always feels original despite being set in much of the same social background as the major international successes that were ‘Central Station' and ‘City of God' (life and crime in the favelas, homelessness and the search for lost family).  Crime, drug addiction and evangelicalism are presented without judgement but as what they are: human attempts to survive.  Wat…

Laurence Boyce brings you an eclectic selection of some of the best DVD releases available over the coming weeks. If you like Cubans, Vic Reeves and Bob Mortimer, Anime and Francis Bacon then you’re in for a treat … and you probably also have weird things on your walls. Soy Cuba (I Am Cuba) (Mr Bongo Films) is, simply put, one of the best films ever made. Made in 1964, it’s ta…

Rather than being "a bold new call for peace," the first Palestinian film to be Oscar-nominated is an emotional look at what could possibly drive someone to become a suicide bomber. Paradise Now, like United 93, is a film that relies upon the audience's prior knowledge of world events for context. This device means that both films escape charges of didacticism, preferring…

You remember where you were when you saw it happen. It was a normal Tuesday lunchtime in the UK, just after Neighbours in fact. Flicking through the channels, every one of them seemed to be showing a disaster movie, involving cinema’s most recognisable skyline. Like most of the western world, you watched, incredulously, as fiction and reality merged. No one knew then what was going to…

Paul Taylor takes a tragic story and makes an up-lifting, life-affirming, non-preachy film. We Are Together (Thina Simunye) has as its backdrop one of the most urgent (and shameful) issues of our time: the spread of HIV, Africa's 1.2 million AIDS orphans and the lack of access to life-saving anti-retroviral (ARV) drugs. That less than 17% of HIV sufferers have access to the drugs in a…

  Starsuckers is the second feature-length documentary from writer/director Chris Atkins, who made the BAFTA-nominated Taking Liberties in 2007. The film takes an in-depth look into celebrity culture - and sleb journalism - and the results are both laugh-out-loud funny and worrying. The issue of made-up stories making their way into showbiz gossip columns was discussed by George Clooney and…

  You would be hard pressed to find anyone who thinks Ken Loach's films are simply OK, or all right, or not so bad. Loach divides opinion. ``The Wind That Shakes the Barley,'' which won the top prize -- the Palme D'Or -- at the Cannes Film Festival last month isn't going to change that fact. The film is, at least in part, a damning indictment of the British in Ireland…

Grassroots and No are both political films based on real events that concentrate on the competition: to win a local election in the former film, and to win a regime-changing plebiscite in the latter. The fact that No succeeds as an engaging film to such a greater extent than Grassroots shows that political races on film need to be contested by sharply-out…

Morgan Spurlock’s POM Wonderful Presents: The Greatest Movie Ever Sold officially opened the 18th Sheffield Documentary Film Festival on Wednesday evening, also providing the doc with its European premiering slot. Product placement and chasing sponsorship lolly was the film’s raison d’être, and as I write this I’m drinking a bottle of POM Wonderful itself, dished out free in the delegate centre…

Thanks to the perils of blown up computers and various other technological problems, Special Edition # 4 has been a long time coming. But never fear as Laurence Boyce had managed to move heaven and earth (and, more importantly, has managed to install a new version of Windows XP) to bring a bumper crop of all the DVD’s that are fit to watch when the bright sunshine starts to get a l…

The London Film Festival will close tonight with the world premiere of the feature debut from artist Sam Taylor-Wood, Nowhere Boy. It takes a look at the early years of John Lennon, when he was being brought up by his Aunt Mimi (Kristin Scott Thomas in a fantastic performance), getting into music, and taking guitar lessons from a young squirt called Paul McCartney. Suchandrika Chakrabarti revie…

Laurence Boyce has a lot to catch up on as he’s been under water for the last couple of weeks. Nope, he’s not been on a fun diving holiday. He’s been in the city of Hull, which – for those of you who haven’t been following the news – has the kind of weather that would make Noah very happy. He wrings himself out and removes the damp from his DVD player to find t…

  CAUTION: SPOILERS AHEAD You've heard about it, Chris Morris' jihad comedy, making terrorism funny and all that. How does he do it? Well the Dad's Army influence is certainly there: the comedy is in the power play and false grandeur of some deluded blokes who want to show the world what for. Four young men with very similar accents to those of the lead characters here managed just t…

In this fine appraisal of his oeuvre, Heylin looks at the director's failure to capitalise on the promise of Citizen Kane. In this fine appraisal of his oeuvre, Heylin looks at the director's failure to capitalise on the promise of Citizen Kane. Welles' own uncompromising attitude didn't help his later projects, such as The Magnificent Ambersons and A Touch of Evil, but neith…

Back in March during the battle between The Hurt Locker and Avatar at the Oscars, much-loved political theorist Zizek waded in with a comparative review of the politics of the two films. His conclusion was that James Cameron's film had been the best attack on the military-industrial complex and US corporate hegemony. Kathryn Bigelow, on the other hand, he argued, legitimised the Iraqi invasion…

Come on the long days! Laurence Boyce has been stuck in front of a computer for the past few weeks, watching many, many films and currently needs a tanning machine to ensure his skin resembles the colour of porridge. Thankfully, the stuff that he’s been watching for Special Edition # 38 means that Laurence Boyce has at least got to enjoy some really good films and TV shows. But, for the love of h…

  Final Cut's latest offering on DVD is another fine garnering of some of the best shorts going, filmed, animated or even snapped with a stills camera and given a frantic screen life, as with Jo Barnes' Midst of Paradise. Don't be put off by the grotesque image from Cleanse that adorns the front cover. Just wait until you see the full story! Ouch! A deep facial will neve…

Since fully entering the London rat race I have come across a number of 30-somethings that appear to feel rather bitter about being around 20-somethings, much to the bewilderment of the latter.  It is these people that will perhaps scoff at the idea that there is a big leap between being 21 and 24, crying that it is all within the same degree of naivety, but I can vouch for this leap when…

What is the difference between torture and punishment? According to Ridley Scott’s latest thriller, which casts a harshly critical eye on the spy game, it is simply the fact that one is efficient and the other is not. Set against the backdrop of the infamous “war on terror”, Body of Lies centres on the hardships of a CIA agent who heads to Jordan to track down a high-ranking…

I did not get sent a review disc, but saw this one in Morrisons on Sunday in a two for one offer on Disney films. There weren't many classics, but picked up Ratatouille which I could watch a fair few more times yet, and Wall*E. It's not just that I like to be able to watch it on TV but I have a vague idea that if I had grandkids one day it'd be great to be able to show them the box.. 'what, you h…

From the striking opening credits, with a boy throwing eggs at the screen, you know that Mischief Night is going to live up to its name. It is both an irreverent look at life in a Leeds suburb, as well as an exploration of the effects of increased ethnic segregation. The setting of Beeston, Leeds – home of three of the July 7th bombers – also provided the backdrop to Penny…

Close Up 01 is the first in a series of annual books from Wallflower Press, each containing three individual studies that are linked by their detailed explorations of the decisions that are made in both film and television, such as camera position, editing and sound. Whilst to some this would seem somewhat rather obvious, those who are steeped in film academia will known that many theories in f…

Artist/director Steve McQueen's second feature (following 2008's Hunger), follows the unravelling New York existence of sex addict Brandon (Michael Fassbender). Living alone, he (seemingly) happily picks up girls in bars, orders prostitutes like takeout and masturbates in the work loos after watching porn on his computer. It's a tad compulsive, but his outward charm and ability to just about ho…

Given that he's written more than 30 novels and numerous short stories it's surprising that the works of Philip K. Dick haven't been adapted more in Hollywood. Yet, from 1982s Blade Runner to the just released A Scanner Darkly there have only been 5 films based on the work of the celebrated science fiction author. In Counterfeit Worlds Brian J Robb examines Dick's career and the H…

Ahead of the London Film Festival's opening night tomorrow, here's a round-up of some highlights from Suchandrika Chakrabarti. The LFF's press screenings begin before the festival begins, and carry on during it, with the previews of the big gala films, like the opening night's Fantastic Mr Fox (gosh, they do love a bit of Wes Anderson) and the George Clooney-starring The Men Who Stare at Goats…