Just before lunch yesterday I read of a report by the WWF that the number of species on the planet has reduced by 31% in the last 35 years. If the planet continues at its current pace of using natural resource, by 2050 two earths would be needed to meet current demand, with an almost inevitable consequential environmental collapse. Then while munching away on my fried eggs on toast, I read…

From Glasgow-based Phase IV, behind the long gestating Simulation feature, comes an interview with Mark Gorzynski, Silhouette Technician behind Eon Production's Quantum of Solace, who speaks about his work, his family and silhouilmaking. [video:http://www.youtube.com/watch?v=FO3hg_tEVgk 600x400]

Sheffield Doc/Fest wound up on Sunday night after 5 full-on days. Capturing a flavour of the event overall did mean sacrificing time spent in screenings, but I caught two films up for a Special Jury Award; Clio Barnard’s The Arbor (premiered at London Film Festival in October) and Jeff Malmberg’s Marwencol (premiering in the UK at Sheffield). Neither won, although Barnard’s film did get the…

Similar to the 'video essay' Iran a Nation of Bloggers by Kate Tremills at the Vancouver Film School,  comes this effective new short animation/essay, Wake Up, Freak Out – then Get a Grip, from Leo Murray and the Royal College of Art about the planetary tipping point. From his website : It’s much, much later than you think This really isn’t about polar bear…

  Tom Swanston Reports from  the NORDIC CO-PRODUCTION FORUM Haugesund, Norway  21-23 August 2006 This year the beautiful coastal town of Haugesund, Norway was host to the first ever Nordic Co-Production Forum, held from 21st to 23rd August. The town is situated on a long sea inlet in the South West of the country, a 45-minute flight from Oslo.   The…

Sir Arthur Charles Clarke, CBE (16 December 1917 – 19 March 2008) a British science fiction author, inventor, and futurist, most famous for his novel 2001: A Space Odyssey, and for collaborating with director Stanley Kubrick on the film of the same name, has also died at his home in Sri Lanka.Clarke served in the&nbs…

  Writer Simon Rose on Getting His Story to the Big Screen I can't be the only writer who, after sitting through umpteen appalling movies, has thought, "Surely I can do better." By 1994, I was itching to write a screenplay, but a subject eluded me.  Then I heard about Graeme Obree. This down-at-heel Scot built a revolutionary bicycle from scrap and washing- machi…

  Sunflower3 - from vimeo's danLinfield

So I decided to give myself the Christmas break - from just after boxing day until the 9th of January when I returned to work to tryand get Netribution 2.0 up online. I ordered one of the most boring christmas presents in memory - Larry Ulman's 'PHP and MySQL for Dynamic Websites' and proceeded to teach myself some basic PHP, beynd what I'd hacked for the www.ukfilmfinance…

While there is some hint that the new British coalition government will follow through on the Lib Dem policy of rescinding the rushed and hated Digital Economy Bill to let it get full and appropriate scrutiny, I would imagine that many new cabinet members are grateful to Ben Bradshaw and Lord Mandelson for pushing through an unpopular piece of legislation as a parting gift and saving them from ha…

Caine, Hopkins, Connery, Finney, Attenborough, Guinness, Mills, Gielguid, Olivier. Names that epitomise the very best in British acting talent. But one name towers above them all; Sir Wilberforce Reddington. He made his first screen appearance as Willy Reddington playing Third Cockney Urchin in 'It's a Right Bloomin' Caper Alright' in1937. From then on his face became a familiar fixture on Briti…

 Hallam Foe, Edinburgh 2000, Protagonist, Rataouille & Planet B-Boy "You know, everytime someone says they don't believe in cinema, someone, somewhere makes a sequel to a bad movie."  I'm slammed head first into multiplex A&E. Pulse falling, blood pressure dropping fast. I don't believe in anything any more. A sugar rush of Butterkist popcorn barely gets me into the trailers…

If the 80's were epitomised by the Action film and the 90's were the domain of the more thoughtful independent film, then the early 21st century could easily come to be defined by the dominance of the comic strip adaptation. Ever since 'X-Men' and 'Spider-Man' hit the cinemas, Hollywood has been desperately trying to find the Next Big Thing. Even multi-award winning directors like Sam Mendes and…

How Do I Sell My Film Part One - DEMOGRAPHICS Netribution and film distributors WYSIWYG have joined forces to present on-line WYSIWYG's essential Guide to Film Distribution. We're both interested in building a strong industry for independent filmmakers. This means creating films that people want to see and buy. It does not mean sacrificing creative integrity, but it means business. To do the b…

Producers are different things to different people, making this question difficult to answer. There are no detailed job descriptions and no two producers handle their jobs in exactly the same way. Is it any wonder that  both audiences, and many 'insiders', are bewildered by the proliferation of producer credits in films? The producer credit has often…

  If there's one thing more stressful than getting married, it's making a fully improvised comedy about the process in real time. Debbie Isitt, writer and director, kept a diary of the making of her film Confetti, an extravaganza of jealousy, nudity, ball boys....and improvised dialogue.   Coventry. September 2002 I first decided to make a wedding come…

  I've worked as an actor on a number of film sets and with a wide range of directors and filmmakers.  It's an exciting place to be and when you hit the scene right, there's no better feeling in the world; despite shooting out of chronological order and out of emotional continuity.  Each day, each scene, each take, brings its own challenges for the actor - and when you're tackling…

It's taken me a while to gather my thoughts about the Second Open Video Conference which took place at the start of October in New York. It featured a vast mix of people and organisations interested in the future of video online - from tech and web shapers to creatives and lawmakers - there's not many places where you can end up round the table with implementers from the W3C, the Firefox and Safa…

2006 was certainly a year of trailer mashups. To quote the Misshaken Pictures' Mashifesto: "As our collective history burrows deeper into the digital coalface we begin to see it recombined, re-imagined, re-invented and e-rased. Heirachies of media code are becoming silly putty in the hands of the majority and the global mirror increases at an unprecedented rate, a miasma of Id…

I stumbled across some of my old writing still online on Netribution from over two decades years ago that was so bad I wanted to cancel myself before anyone else had a chance to. I was scrolling down my old year 2001 design for old raw HTML Netribution pages untouched in 20 years, and still looking much like it did then (other than screens are much bigger so there's a lot of left/right padding)…

Aimed at first time visitors, Shizana Arshad and Laura Horowitz at 6 Degrees Film have put together a Cannes Guide containing information on the festival itself, how to submit your film and obtain accreditation along with useful numbers and info... What do you need to know about attending the Cannes Film Festival? What should you expect? Who gets accreditation? Find out the answers to…

All is clear now. The middle east crisis. Homer Simpson vs Ned Flanders. Almost every fight I've ever had. Thanks Norman McLaren & BoingBoing. (this won the best animated short Oscar in 1952) {google}2976945051371832639{/google}   

I arrived for once a little early, as the last gold balloons were being lifted into place. I decided to walk the block, attempting to hide my game industry noobiness with some assertive power walking. Ah a river. I will gaze across it with a sense of confidence, a metaphorical eye on the future. All is fine. So as I was scribbling this blog in a cafe in Bristol, the guy opposite told me "I never…

“The reality is a single stream only amounts to 0.003p, which means I would need millions of streams to earn at least the minimum wage” Ayanna Witter-Johnson, singer-songwriter Last weekend The Guardian published some great insights from 25 figures across the music world around the state of subscription-streaming, as Spotify passes 155 million Premium subscribers and ahead of a uk.gov report…