As the  50th London Film Festival begins today, here's a third update from Suchandrika Chakrabarti, with previews of Infamous, a Truman Capote biopic, Who Loves the Sun, a Canadian indie feature and Shut Up & Sing, a Dixie Chicks documentary.    

As the  50th London Film Festival gets underway, a new update from Suchandrika Chakrabarti, with previews of Penny Woolcock's Mischief Night, the Spanish Dark Blue Almost Black and a real-life Argentine horror story, Buenos Aires 1977.   

As the credits rolled, the audience sat in stunned silence as if they had lost the ability to speak or move. I felt as if I had been punched in my solar plexus, such was the impact of Marc Rothemund's chronicle of courage and quiet heroism, Sophie Scholl, The Final Days. For two hours we had followed a few days in the life of a young German student  who, in 1943,  distribu…

  You would be hard pressed to find anyone who thinks Ken Loach's films are simply OK, or all right, or not so bad. Loach divides opinion. ``The Wind That Shakes the Barley,'' which won the top prize -- the Palme D'Or -- at the Cannes Film Festival last month isn't going to change that fact. The film is, at least in part, a damning indictment of the British in Ireland…

Director Jason Reitman's debut feature somehow manages to make a sympathetic character out of a tobacco spokesperson...  Surprisingly, for a film whose main character works in the tobacco industry, no one lights up at all in Thank You For Smoking. As the director has put it, to have lots of people smoking in the movie would distract the audience from his intended aim: to satiris…